ig congrats to B-Reel for winning four Lions at the 2017 Cannes Lions Festival of Creativity for their hugely successful work on the Gorillaz Humans campaign, we had great fun doing the VO record and final mix on this film about the project.
We really enjoyed working on the sound design and the music cues in collaboration with the Directors, helping to shape a narrative experience for the sound that stands apart from, but compliments the film itself.
“..there are a couple of titles with a lot of buzz… but it’s hard to imagine that either of those would be as daring or inventive as Joji Koyama and Tujiko Noriko’s Kuro.”
Josh Cabrita, Sundance Review for MUBI
“a new angle of filmic storytelling.”
Drea Clark, Moviemaker
“..a singular and impressively accomplished work of art.”
e had a lot of fun with our ever expanding modular synth, shredding some footwear inspired sound in recent collaboration with Rosie Lee and squint/opera for Nike at YO’HOOD Shanghai, a series of animations celebrating the iconic original Waffle Racer to the 2016 Air Mag.
ate Modern asked us to score their short documentary about their Turbine Hall commission by Mexican artist Abraham Cruzvillegas: Empty Lot.
Shot by Martin Hampton over several months during the development of the commission, the film gives us a behind the scenes look at Cruzvillegas’ artistic process, whilst the protraits of the finished work on the eve of the opening allow for some detailed musical moments that play on the anticipation and hope encapsulated by the piece.
rom left to right, Tanya Auclair, Will Worsley and Sam Britton make up the core team at Coda to Coda, they are often ably assisted by freelance composers, sound designers and mix engineers Steve Bond, Aaron May & Joe Richardson.