e went intergalactic for the soundtrack to the new Bjarke Ingels design for a proposed Mars Science City, which will operate as a space simulation campus near Dubai where scientists will work on the Mars mission. It will be the largest space simulation city ever built, check out the film below and a feature in Dezeen.
ur latest film soundtrack commission was for new short Oksijan based on an incredible true story of a 7 year old Afghan refugee escaping war and facing the terrifying journey that ensues. Produced by Emmy award-winning writer/director Edward Watts and Oscar-winning Director of Photography Michael Paleodimos, it premieres at this year’s BFI London Film Festival.
hooting Ourselves won Best Documentary Feature at the Architecture Film Festival London this weekend!! Big congratulations to director Christine Cynn and producer Kristian Mosvold, brilliant to have worked on such a remarkable film.
Out of this large pool of submissions, four outstanding works have emerged. Our competition jurors Ollie Alsop, Penelope Haralambidou, and Daniel Schwartz were impressed by the innovation, intelligence, and craft displayed by each of the films.
uch of what we think of as ‘musical’ nowadays is the result of the feedback between musicians and instrument makers. The piano is an embodiment of both a mathematical and physical solution to the concept of musical harmony.. The piano’s mechanism also invites us to consider the possibility that something other than human fingers might also play it.
If you want to find out more about Will and Sam’s inspirations and ideas behind the algorithmic soundscape check out their piece on the Science Museum Blog.
We really enjoyed working on the sound design and the music cues in collaboration with the Directors, helping to shape a narrative experience for the sound that stands apart from, but compliments the film itself.
“..there are a couple of titles with a lot of buzz… but it’s hard to imagine that either of those would be as daring or inventive as Joji Koyama and Tujiko Noriko’s Kuro.”
Josh Cabrita, Sundance Review for MUBI
“a new angle of filmic storytelling.”
Drea Clark, Moviemaker
“..a singular and impressively accomplished work of art.”
yperloop One is the realisation of Elon Musk’s groundbreaking pneumatic tube transportation technology, allowing passengers to travel faster than the speed of sound.
We were commissioned to write some suitably futuristic music & SFX for Squint/Opera’s film that visualises BIG Architects designs. Listen out for some Buchla-esque complex oscillator modulations juxtaposed with a humorous aside of ‘muzak’ that no futuristic vision should be without.
ur latest feature film soundtrack project has taken us on an exploration of the international arms trade. Shooting Ourselves is the fascinating new documentary by Christine Cynn (co-director of award-winning The Act of Killing). Filmed entirely on the set of participatory theatre piece by Rimini Protokoll, Situation Rooms this new film continues the exploration of performance and violence begun in The Act of Killing and features a rare ensemble of people whose lives are intimately connected to weapons. From a former child soldier from D.R. of Congo, to a munitions factory worker in Switzerland, to a former Israeli sniper, to a hacker from the U.S.