hooting Ourselves won Best Documentary Feature at the Architecture Film Festival London this weekend!! Big congratulations to director Christine Cynn and producer Kristian Mosvold, brilliant to have worked on such a remarkable film.
Out of this large pool of submissions, four outstanding works have emerged. Our competition jurors Ollie Alsop, Penelope Haralambidou, and Daniel Schwartz were impressed by the innovation, intelligence, and craft displayed by each of the films.
e were commissioned to create an immersive 24 speaker soundscape for the latest Imperial War Museum London exhibition People Power: Fighting For Peace. Each zone of the exhibition is dedicated to a different era of the anti-war movement, spanning from WW1 to the present day, and our brief was to recreate the sounds of protest particular to each period. It was great to return to the IWM after working on their permanent First World War galleries, which opened 2015.
“I can’t wait to work with them again. They really took our gallery to a new level with their high quality work”
Philip Clevberger, Digital Media Developer, IWM London
“they did a brilliant job with the soundscape. It works perfectly within the space and achieves everything we wanted it to in complimenting the exhibition content and enhancing the visitor experience”
We really enjoyed working on the sound design and the music cues in collaboration with the Directors, helping to shape a narrative experience for the sound that stands apart from, but compliments the film itself.
“..there are a couple of titles with a lot of buzz… but it’s hard to imagine that either of those would be as daring or inventive as Joji Koyama and Tujiko Noriko’s Kuro.”
Josh Cabrita, Sundance Review for MUBI
“a new angle of filmic storytelling.”
Drea Clark, Moviemaker
“..a singular and impressively accomplished work of art.”
Bjarke Ingels explains the concept behind the world’s first ‘Courtscraper’, Via 57 West, the tetrahedron-shaped Manhattan apartment tower by BIG.
hot on location in New York, we collaborated with Squint/Opera to explore some of the possibilities of CG and spatial audio for 360 video. The final film was delivered via Youtube 360 and Google Daydream.
ur latest feature film soundtrack project has taken us on an exploration of the international arms trade. Shooting Ourselves is the fascinating new documentary by Christine Cynn (co-director of award-winning The Act of Killing). Filmed entirely on the set of participatory theatre piece by Rimini Protokoll, Situation Rooms this new film continues the exploration of performance and violence begun in The Act of Killing and features a rare ensemble of people whose lives are intimately connected to weapons. From a former child soldier from D.R. of Congo, to a munitions factory worker in Switzerland, to a former Israeli sniper, to a hacker from the U.S.
e had a lot of fun with our ever expanding modular synth, shredding some footwear inspired sound in recent collaboration with Rosie Lee and squint/opera for Nike at YO’HOOD Shanghai, a series of animations celebrating the iconic original Waffle Racer to the 2016 Air Mag.
rom left to right, Tanya Auclair, Will Worsley and Sam Britton make up the core team at Coda to Coda, they are often ably assisted by freelance composers, sound designers and mix engineers Steve Bond, Aaron May & Joe Richardson.